4,022 Royalty-Free Audio Tracks for "Computerized Midi"

Berg's Lyric Suite Mov. VI tone row 1-P

4-27A (dominant seventh chord) tetrachord on C

5-33 pentachord on C

6-2B hexachord on C. Inverted version of 6-2A.

7-30A heptachord on C

4-17A tetrachord on C

Robert Schumann: Album für die Jugend, Op. 68, No. 1 "Melodie"

This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.

5-26A pentachord on C

Alexander Scriabin: opus 42.06

8-19B octachord on C

5-4A pentachord on C

8-4B octachord on C

4-19A tetrachord on C

4-16B tetrachord on C

8-29ZA octachord on C

5-3B pentachord on C

5-8 pentachord on C

6-46ZB hexachord on C

8-3 octachord on C

6-31B hexachord on C

6-7 hexachord on C

5-28A pentachord on C

4-18B tetrachord on C

9-4B nonachord on C

Chord progression with a borrowed chord second: v or Gm in C major.

6-25ZB hexachord on C

7-23B heptachord on C

7-34 heptachord on C

7-28A heptachord on C

3-3A trichord on C.

5-10B pentachord on C

9-8A nonachord on C.

5-18ZA pentachord on C

10-1 (chromatic) decachord on C

6-20 hexachord on C

8-13A octachord on C

5-38ZB pentachord on C

8-14A octachord on C

9-1 nonachord on C. Chromatic nonachord.

3-1 trichord on C: [0,1,2]. Chromatic trichord.

5-25A pentachord on C

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

5-32A pentachord on C

Alexander Scriabin: opus 42.05

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

6-16B hexachord on C

7-32A heptachord on C